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| 005 | 20240823130652.0 | ||
| 007 | tu | ||
| 008 | 231211s2024 xxu||||| |||| 00||||eng | ||
| 020 | _a9781805391456 | ||
| 040 |
_a961 _c961 |
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| 041 | _aeng | ||
| 050 | 1 | 4 |
_aPN1993.5.G33 _bW37 2024 |
| 100 | 1 |
_8 _aWard, Elizabeth _eVerfasser _4aut |
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| 245 | 1 | 0 |
_aEast German film and the Holocaust _cElizabeth Ward |
| 250 | _aPaperback edition | ||
| 300 | _a264 Seiten | ||
| 336 |
_aText _btxt _2rdacontent |
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| 337 |
_aohne Hilfsmittel zu benutzen _bn _2rdamedia |
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_aBand _bnc _2rdacarrier |
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| 490 | 1 |
_aFilm Europa _vvolume 22 _vvolume 22 |
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| 500 | _aFilmografie: Seite 222-224 | ||
| 500 | _aLiteraturverzeichnis: Seite 225-238 | ||
| 500 | _aEnthält Literaturangaben | ||
| 520 | _aZusammenfassung: East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political. | ||
| 830 | 0 |
_aFilm Europa _vvolume 22 |
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_c23530 _d23530 |
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