East German film and the Holocaust Elizabeth Ward
Rodzaj materiału:
TekstJęzyk: Angielski Serie: Film Europa ; volume 22Wydanie: Paperback editionOpis: 264 SeitenTyp zawartości: Text Tryb odtwarzania: ohne Hilfsmittel zu benutzen Typ nośnika: BandISBN: 9781805391456LOC classification: PN1993.5.G33 W37 2024Opis skrócony: Zusammenfassung: East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.
Książki
| Obecna biblioteka | Sygnatura | Status | Termin zwrotu | Kod kreskowy |
|---|---|---|---|---|
| Biblioteka Instytutu Solidarności i Męstwa im. W. Pileckiego | 18376 (Przeglądaj półkę (Otwórz poniżej)) | Dostępny | 00018376 |
Przeglądanie Biblioteka Instytutu Solidarności i Męstwa im. W. Pileckiego Półki Zakończ przeglądanie półki (Zakończ przeglądanie półki)
Filmografie: Seite 222-224
Literaturverzeichnis: Seite 225-238
Enthält Literaturangaben
Zusammenfassung: East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.