The Women's Orchestra of Auschwitz (Rekord nr 26588)
| 000 -LEADER | |
|---|---|
| fixed length control field | 03065nam a22003138c 4500 |
| 001 - CONTROL NUMBER | |
| control field | 137324206X |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | DE-101 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260130101407.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | tu |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250806s2025 xxk||||| |||| 00||||eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781399610742 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1399610740 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781399610735 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1399610732 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Cancelled/invalid ISBN | 9781399610766 |
| Dopowiedzenie do ISBN | ebook |
| 035 ## - Numer systemowy | |
| Nr systemowy | (DE-599)DNB137324206X |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 1130 |
| pol | ger |
| Transcribing agency | DE-101 |
| Modifying agency | 9999 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | D805.5.A96 |
| Item number | S43 2025 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Field link and sequence number | 1\p |
| Personal name | Sebba, Anne |
| Dates associated with a name | 1951- |
| Relator code | aut |
| 245 10 - TITLE STATEMENT | |
| Title | The Women's Orchestra of Auschwitz |
| Remainder of title | a story of survival |
| Statement of responsibility, etc | Anne Sebba |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 388 pages : |
| Other physical details | illustrations |
| Dimensions | 24 cm |
| 336 ## - RDA_CONTENT | |
| Tekst | unbewegtes Bild |
| txt | sti |
| rdacontent | rdacontent |
| 338 ## - RDA_CARRIER | |
| Wolumin | Band |
| nc | nc |
| rdacarrier | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Includes bibliographical references and index |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Introduction: The Women's Orchestra of Auschwitz -- We did not feel pain anymore -- Making good music for the SS -- Something beautiful to listen to -- You will be saved -- The orchestra means life -- She gave us hope and courage -- I felt the sun on my face -- Here you are not going to play -- I have never seen anything like this -- Someone three quarters destroyed by her experience -- Epilogue: if we forget, we are guilty, we are accomplices. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Zusammenfassung: In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were drafted into a hurriedly assembled band that would play marching music to other inmates, forced labourers who left each morning and returned, exhausted and often broken, at the end of the day. While still living amid the most brutal and dehumanising of circumstances, they were also made to give weekly concerts for Nazi officers, and individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives. What role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends? In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba traces these tangled questions of deep moral complexity with sensitivity and care. From Alma Rose, the orchestra's main conductor, niece of Gustav Mahler and a formidable pre-war celebrity violinist, to Anita Lasker-Wallfisch, its teenage cellist and last surviving member, Sebba draws on meticulous archival research and exclusive first-hand accounts to tell the full and astonishing story of the orchestra, its members and the response of other prisoners for the very first time. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Książki |
| Source of classification or shelving scheme | Sekwencja liczb |
| Źródło klasyfikacji | Not for loan | Home library | Current library | Date acquired | Total Checkouts | Full call number | Kod kreskowy | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|
| Sekwencja liczb | Biblioteka Instytutu Solidarności i Męstwa im. W. Pileckiego | Biblioteka Instytutu Solidarności i Męstwa im. W. Pileckiego | 02/12/2025 | 21380 | 00021380 | 02/12/2025 | 02/12/2025 | Książki |